'Stan the Man' was 3-time MVP; hitting standout helped Cardinals win 3 World Series titles
APStan Musial was so revered in St. Louis, two statues of him stand outside Busch Stadium.
By R.B. FALLSTROM
updated 2:27 a.m. ET Jan. 20, 2013
ST. LOUIS - No last name necessary.
A slew of batting titles. Corkscrew stance. Humble. A gentleman. All-around good guy.
Stan the Man.
Stanley Frank Musial, the St. Louis Cardinals star who was one of the greatest players in the history of baseball, died Saturday. He was 92.
"I never heard anybody say a bad word about him - ever," Willie Mays said in a statement released by the Hall of Fame.
The Cardinals announced Musial's death in a news release and said he died at his home in Ladue, a St. Louis suburb, surrounded by family. The team said Musial's son-in-law, Dave Edmonds, informed the club of the slugger's death.
Earlier Saturday, baseball lost another Hall of Famer when longtime Baltimore Orioles manager Earl Weaver died at age 82.
Musial, the Midwest icon with too many batting records to fit on his Hall of Fame plaque, was so revered in St. Louis that two statues in his honor stand outside Busch Stadium - one just wouldn't do him justice. He was one of baseball's greatest hitters, every bit the equal of Ted Williams and Joe DiMaggio even without the bright lights of the big city.
Musial won seven National League batting crowns, was a three-time MVP and helped the Cardinals capture three World Series championships in the 1940s.
He spent his entire 22-year career with the Cardinals and made the All-Star team 24 times - baseball held two All-Star games each summer for a few seasons. He had been the longest-tenured living Hall of Famer.
"Stan will be remembered in baseball annals as one of the pillars of our game," Hall of Fame President Jeff Idelson said. "The mold broke with Stan. There will never be another like him."
A pitcher in the low minors until he injured his arm, Musial turned to playing the outfield and first base. It was a stroke of luck for him, as he went on to hit .331 with 475 home runs before retiring in 1963.
Widely considered the greatest Cardinals player ever, Musial was the first person in team history to have his number retired. Ol' 6 probably was the most popular, too, especially after Albert Pujols skipped town.
"I will cherish my friendship with Stan for as long as I live," Pujols wrote on Twitter. "Rest in Peace."
At the suggestion of a pal, actor John Wayne, Musial carried around autographed cards of himself to give away. He enjoyed doing magic tricks for kids and was fond of pulling out a harmonica to entertain crowds with a favorite, "The Wabash Cannonball."
Scandal-free and eager to play every day, Musial struck a chord with fans throughout America's heartland and beyond. For much of his career, St. Louis was the most western outpost in the majors, and the Cardinals' vast radio network spread word about him in all directions.
Farmers in the field and families on the porch would tune in, as did a future president - Bill Clinton recalled doing his homework listening to Musial's exploits.
"We have lost the most beloved member of the Cardinals family," team chairman William DeWitt Jr. said.
Musial's public appearances dwindled in recent years, though he took part in the pregame festivities at Busch Stadium during the 2011 postseason as the Cardinals won the World Series. And he was at the White House in February 2011 when President Barack Obama presented him with the Presidential Medal of Freedom, America's highest civilian honor for contributions to society.
At the ceremony, President Obama said: "Stan remains to this day an icon untarnished, a beloved pillar of the community, a gentleman you'd want your kids to emulate."
He certainly delivered at the plate.
Musial never struck out 50 times in a season. He led the NL in most every hitting category for at least one year, except homers. He hit a career-high 39 home runs in 1948, falling one short of winning the Triple Crown.
"Major League Baseball has lost one of its true legends in Stan Musial, a Hall of Famer in every sense and a man who led a great American life. He was the heart and soul of the historic St. Louis Cardinals franchise for generations," Commissioner Bud Selig said. "As remarkable as `Stan the Man' was on the field, he was a true gentleman in life. All of Major League Baseball mourns his passing."
In all, Musial held 55 records when he retired in 1963. Fittingly, the accolades on his bronze Hall plaque start off with this fact, rather than flowery prose: "Holds many National League records ..."
He played nearly until his 43rd birthday, adding to his totals. He got a hit with his final swing, sending an RBI single past Cincinnati's rookie second baseman - that was Pete Rose, who would break Musial's league hit record of 3,630 some 18 years later.
Of those hits, Musial got exactly 1,815 at home and exactly 1,815 on the road. He also finished with 1,951 RBIs and scored 1,949 runs.
All that balance despite a most unorthodox left-handed stance. Legs and knees close together, he would cock the bat near his ear and twist his body away from the pitcher. When the ball came, he uncoiled.
Unusual, that aspect of Musial.
Asked to describe the habits that kept him in baseball for so long, Musial once said: "Get eight hours of sleep regularly. Keep your weight down, run a mile a day. If you must smoke, try light cigars. They cut down on inhaling."
One last thing, he said: "Make it a point to bat .300."
As for how he did that, Musial offered a secret.
"I consciously memorized the speed at which every pitcher in the league threw his fastball, curve, and slider," he said. "Then, I'd pick up the speed of the ball in the first 30 feet of its flight and knew how it would move once it has crossed the plate."
It worked pretty well, considering Musial began his baseball career as a pitcher in the low minors. And by his account, as he said during his induction speech in Cooperstown, an injury had left him as a "dead, left-handed pitcher just out of Class D."
Hoping to still reach the majors, he turned to another position. It was just the change he needed.
Musial made his major league debut late in 1941, the season that Williams batted .406 for the Boston Red Sox and DiMaggio hit in a record 56 straight games for the New York Yankees.
Musial never expressed regret or remorse that he didn't attract more attention than the cool DiMaggio or prickly Williams. Fact is, Musial was plenty familiar in every place he played.
Few could bring themselves to boo baseball's nicest superstar, not even the Brooklyn Dodgers crowds that helped give him his nickname, a sign of weary respect for his .359 batting average at Ebbets Field.
Many, many years before any sports fans yelled "You're the man!" at their favorite athletes, Stan was indeed the Man.
Dodgers pitcher Preacher Roe once joked about how to handle Musial: "I throw him four wide ones and then I try to pick him off first base."
Brooklynites had another reason to think well of Musial: Unlike Enos Slaughter and other Cardinals teammates, he was supportive when the Dodgers' Jackie Robinson broke baseball's color barrier in 1947. Bob Gibson, who started out with the Cardinals in the late 1950s, would recall how Musial had helped establish a warm atmosphere between blacks and whites on the team.
"I knew Stan very well," Mays said. "He used to take care of me at All-Star games, 24 of them. He was a true gentleman who understood the race thing and did all he could."
Like DiMaggio and Williams, Musial embodied a time when the greats stayed with one team. He joined the Cardinals during the last remnants of the Gas House Gang and stayed in St. Louis until Gibson and Curt Flood ushered in a new era of greatness.
"Sad to hear about Stan the Man, it's an honor to wear the same uniform," current Cardinals slugger Matt Holliday tweeted.
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Source: http://nbcsports.msnbc.com/id/50521772/ns/sports-baseball/
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